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OLA Olives

How an Architectural Designer Found His Calling in a Forgotten California Olive Grove

12 Minute read

In central California, architect Giulio Zavolta has revived century-old olive trees and his family’s lost heritage, producing some of the state’s most celebrated oils.

In California’s Central Valley, the olive trees on Giulio Zavolta’s ranch lean with age. Their trunks twist like driftwood, their roots gripping dry soil that has waited generations to be tended again. For years, the land was forgotten, its 150-year-old trees left to grow wild. Today, Zavolta spends his weekends pruning, tasting, and listening. The work has become less a business than a restoration—of the grove, of a lineage, of himself.

An architectural designer by training, Zavolta once measured his life in blueprints and deadlines. He never imagined he would inherit the unfinished story of his great-grandfather’s olives. But what began as a friendship with a Culver City deli owner—the late Albert Vera, a fellow Italian immigrant and former mayor—would lead him to the property next to Vera’s own groves, where he and his wife, Rachelle, now produce some of California’s most decorated oils.

The path from drafting tables to olive presses wasn’t planned. It unfolded slowly, through mentorship, loss, and a pull that felt ancestral. Zavolta still describes it as something closer to destiny than design.

The Inheritance Skipped

Before founding Olivaia, Zavolta was an architectural designer in Los Angeles, newly married, raising a young family, and building a career he loved. His Italian roots were something he carried quietly—a lineage of olive growers that had faded after his father left Italy at eighteen. “We sort of lost our connection to olives,” Zavolta says. That connection returned unexpectedly through Albert Vera, the Culver City mayor and owner of Sorrento Italian Market.

Vera, known as much for his generosity as for his civic leadership, took an immediate liking to Zavolta when they met in the early 2000s. “He started treating me like family,” Zavolta recalls. “I’d go there every week, and it was like I wasn’t paying for three-quarters of the things in my basket.” Two years into their friendship, Zavolta brought Vera a bottle of olive oil his parents had carried back from Italy. “It was like I gave him gold,” he says. Vera insisted he come north to visit his olive groves.

When Zavolta finally accepted, he found himself in the middle of harvest season. “He had about nine hundred pickers,” Zavolta says. “It was in the middle of harvest, and I could not believe what I was seeing. There were olives everywhere, people everywhere. It was very, very exciting.” After dinner that night, Vera spoke about arriving in America with nothing, building a life through his deli, and serving his community as mayor. He asked Zavolta if he might want to get involved with olives himself. “I told him I had just started my career. I couldn’t give that up,” Zavolta says. “He told me to think about it.”

Vera never stopped bringing it up. His wife even offered Zavolta part of their 860-acre property. Zavolta always declined. “It wouldn’t feel right,” he told her. “You’re family.” Within a year, both Albert and his wife passed away. “It was a terrible loss for us,” Zavolta says.

Their son, also named Albert, eventually took over the family business and reached out to Zavolta. “He said, ‘My dad wanted you to get involved. If you ever want to, I’ll make it happen.’”

That invitation reignited something. Zavolta and his wife began searching for land of their own. “We told a broker we wanted something small—five acres at most,” he says. “We didn’t have a lot of money.” Then they received a listing for twenty acres. It was far beyond what they had budgeted, but when Zavolta looked it up online, he realized it bordered Vera’s property.

“I almost wanted to cry,” he says. “Somehow we felt there instantly was a bond with our property because of this history.” He cashed out his retirement savings for the down payment and offered thirty-five percent below asking. Within hours, the owner accepted.

The land he bought was overgrown and in ruin, its trees more than a century old. But it was his. And in those rows of tangled branches, the story that had skipped a generation found its way back to him.

Giulio and Rachelle Zavolta

Giulio Zavolta and Rachelle Bross

The Full Circle

When Zavolta reflects on how his life has unfolded, he doesn’t call it fate, but he acknowledges the uncanny symmetry. His family’s story with olives had gone quiet for generations, only to resurface in him—an architectural designer who never planned to farm. “The whole time we’re talking about this, I’ve got goosebumps on my arms,” he says. “I’ve done pretty well in the architecture world. I’ve won major AIA awards, and I’ve got a pretty good reputation. There was no thought in my mind that I’d be doing anything but architecture. I’ve got three degrees in it. I love it. And I think—I don’t know how—but somehow we transmit things. I do feel like I was destined to be doing this even more so than architecture. I feel at such ease with what I’m doing during good days, during bad days. I feel like this is a total extension of who I am. It’s made me more Italian, and it’s made me closer to my family.”

That connection has become literal. His father, now in his eighties, had never farmed a day in his life. But after seeing what his son had built, he and Zavolta’s mother moved back to their hometown in Italy to restore the family’s grove of five hundred trees. “He said, ‘I’m so inspired by what you’re doing. We must rehabilitate these trees,’” Zavolta recalls. “He told me, ‘When I’m gone, I want you to take care of them, and then I want your daughters to do that.’”

The following year, they produced oil for the first time in decades. Zavolta couldn’t be there for the milling because he was in California overseeing his own harvest, but when he visited that winter, he tasted the oil and was stunned. “It was another act from up above,” he says. “The oil was spectacular.”

He entered it into the U.S. International Olive Oil Competition, where it won a double gold and scored 96 out of 100. There was only one higher-scoring international entry that year.

Soul Over Profit

For all the recognition Olivaia has earned, Zavolta insists that none of it drives him. What keeps him in the grove is something quieter and less practical. "I realize [we may be losing money on this], but it’s where my heart is. I just have to do it.’”

That honesty extends to their daughters, who sometimes ask why he spends so much time tending to trees instead of taking a break. “They’ll say, ‘Papa, do you really need to do this?’” he says. “And I do. It’s part of who I am now.”

The grove continues to teach him patience. Each season brings small adjustments, new growth, and reminders that the best things in life rarely follow a blueprint. When the wind moves through the rows of trees in Visalia, the leaves shimmer silver in the light, whispering the same story they’ve carried for more than a century, a story that waited for someone to listen again.

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