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Hollywood Bowl

Credit: Hollywood Bowl

How Suzanne Goin and Caroline Styne Turned the Hollywood Bowl Into a Dining Destination

10 Minute read

Reinvention and Scale

If the early years were about survival, the later ones have been about reinvention. Each season brings new menus and fresh ideas, from seasonal concessions to reimagined dining spaces. Last year they demolished and rebuilt two existing venues into a single expansive marketplace with all-new food and dessert offerings. On the beverage side, Styne broadened her repertoire beyond fine wines to embrace canned wine and nonalcoholic pairings, discovering new favorites that have since migrated onto her restaurant lists.

The Bowl has also sharpened their approach to scale. Serving upward of 800 covers in a single station demanded a new level of precision, and the lessons learned there now filter back into their restaurants—whether it’s handling a sudden crush of reservations or orchestrating large-scale catering events. “Everything we do everywhere influences everything else,” they explained. The cross-pollination keeps their food as dynamic as the stage it accompanies.

Dining Beyond Concessions

Beyond concessions, Goin and Styne have carved out distinct dining experiences that give the Bowl a culinary range to match its programming. Ann’s Wine Bar by A.O.C. offers share plates and a serious wine list for those who want to linger before the show. The backyard trades polish for ease, a leafy outdoor space where wood-grilled plates and cocktails feel like an urban picnic. For box seat patrons, Supper in Your Seats delivers restaurant-quality meals straight to the performance, while Lucques at the Circle carries forward the spirit of their flagship restaurant with a menu tailored for the Bowl’s most exclusive section. Each is designed to make dining at the Hollywood Bowl part of the performance, not just the prelude.

Another Decade Ahead

Even after a decade, the work hasn’t settled into autopilot. Each summer brings a new set of tweaks—sometimes as ambitious as building out an entirely new marketplace, other times as subtle as a seasonal menu shift. The goal is always the same: keep the food as fresh and exciting as the performances. Goin dreams of adding something as simple as a dedicated ice cream stand, though space and logistics for a venue serving nearly 18,000 people a night make such ideas tricky. Still, the spirit is one of constant iteration.

What keeps them coming back is the same thing that drew them in: the Bowl’s singular place in Los Angeles life. It’s an assignment that stretches them as restaurateurs—demanding speed, scale, and flexibility—but also enriches everything else they do. For the audience, the result is an experience where dinner and the downbeat belong together. The food no longer just fuels the evening; it rises to meet the music.

Looking back on that chaotic debut in 2016—David Gilmour wailing on stage while kitchens scrambled behind the scenes—it’s almost hard to believe how far things have come. What began as a “restaurant nightmare” has grown into a model of how food can elevate a cultural institution. And the story isn’t ending anytime soon: Goin and Styne have signed on for another 10-year contract at the Bowl, ensuring that the dining will continue to rise to the music. For Los Angeles, that means another decade of meals under the stars, where the food is every bit as memorable as the performance.

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